| ★ |  Re-recording mixer Juan Peralta breaks down F1: The Movie’s crowds, cars, and swooshes | Avid Pro Tools @avid.protools | 1.3K | Estados Unidos | |
| 5 |  F1: The Movie’s sound brings the track to life for a fully immersive experience | Avid Pro Tools @avid.protools | — | Estados Unidos | 94 |
| 6 |  Mixing Sound Effects for F1® The Movie | Behind the Scenes with Juan Peralta | Avid Pro Tools @avid.protools | — | Estados Unidos | 93 |
| 9 |  Gary Rizzo explains how F1: The Movie uses layered Atmos objects to immerse viewers | Avid Pro Tools @avid.protools | — | Estados Unidos | 91 |
| 18 |  Behind the Scenes of the F1 Movie! | Unscripted Scene @unscriptedscene | 73.6K | Turquía | 88 |
| 19 |  This Is How Formula 1 Movie Scenes Are Actually Shot 🤯#f1 | Shortshiksha @short.shiksha | 30.0K | — | 88 |
| 12 |  Mixing Dialogue & Music for F1® The Movie | Behind the Scenes with Gary Rizzo, CAS | Avid Pro Tools @avid.protools | 19.0K | Estados Unidos | 90 |
| 20 |  F1 Best Sound Press Room Speech | 98th Oscars (2026) | | 14.9K | — | 88 |
| 13 |  Day one at Silverstone revealed thrilling race shots, shaped by quick storyboards | | 1.9K | Estados Unidos | 89 |
| 10 |  In F1 The Movie, editor Stephen Mirrione keeps racing edits surgically precise | | 1.9K | Estados Unidos | 90 |
| 8 |  Gary Rizzo crafted each F1 race in the movie with authentic cars and radio chatter | Avid Pro Tools @avid.protools | 1.8K | Estados Unidos | 91 |
| 11 |  Dozens of cameras were used to capture a crucial car upgrade in F1 The Movie | | 1.8K | Estados Unidos | 90 |
| 15 |  Using multi-camera setups and repeated laps to view F1 The Movie from 9 angles | | 1.8K | Estados Unidos | 89 |
| 17 |  🎞️ Cutting "F1: The Movie" 📷 Editor Stephen Mirrione, ACE | | 1.7K | Estados Unidos | 88 |
| 1 |  Re-recording mixer Juan Peralta blends every car-by, dialogue, and music in F1: The Movie | Avid Pro Tools @avid.protools | 1.5K | Estados Unidos | 96 |
| 16 |  Every day on F1: The Movie was a new puzzle for Gary Rizzo | Avid Pro Tools @avid.protools | 1.3K | Estados Unidos | 89 |
| 14 |  F1 The Movie editor Stephen Mirrione explains how strong storyboards guided the race design | | 1.1K | Estados Unidos | 89 |
| 2 |  Juan Peralta helped turn the car sequences into a cinematic, high-octane experience | Avid Pro Tools @avid.protools | 1.1K | Estados Unidos | 96 |
| 4 |  The start of Silverstone in F1: The Movie comes alive with crowd and effects | Avid Pro Tools @avid.protools | 1.0K | Estados Unidos | 94 |
| 3 |  Re‑recording mixer Juan Peralta layered crowd reactions, engine shifts, and racing details | Avid Pro Tools @avid.protools | 954 | Estados Unidos | 95 |
| 7 |  F1: The Movie was a masterclass in collaboration, experimentation, and authentic sound | Avid Pro Tools @avid.protools | 931 | Estados Unidos | 92 |