| ★ | The start of Silverstone in F1: The Movie comes alive with crowd and effects | Avid Pro Tools @avid.protools | 1.0K | Estados Unidos | |
| 5 | F1: The Movie’s sound brings the track to life for a fully immersive experience | Avid Pro Tools @avid.protools | — | Estados Unidos | 92 |
| 10 | Mixing Sound Effects for F1® The Movie | Behind the Scenes with Juan Peralta | Avid Pro Tools @avid.protools | — | Estados Unidos | 91 |
| 14 | Gary Rizzo explains how F1: The Movie uses layered Atmos objects to immerse viewers | Avid Pro Tools @avid.protools | — | Estados Unidos | 89 |
| 17 | This F1 The Movie Scene is GOLD! 😂 | F1 Grid Rewind | Grand Prix Highlights @grandprixrewind | 344.7K | — | 89 |
| 15 | Behind the Scenes of the F1 Movie! | Unscripted Scene @unscriptedscene | 73.6K | Turquía | 89 |
| 11 | This Is How Formula 1 Movie Scenes Are Actually Shot 🤯#f1 | Shortshiksha @short.shiksha | 30.0K | — | 90 |
| 18 | How this was filmed is wild 😳 | | 29.1K | Estados Unidos | 89 |
| 20 | F1 Race Moments Ranking | Most Crazy Moments | | 6.9K | Turquía | 88 |
| 2 | Day one at Silverstone revealed thrilling race shots, shaped by quick storyboards | | 1.9K | Estados Unidos | 93 |
| 8 | In F1 The Movie, editor Stephen Mirrione keeps racing edits surgically precise | | 1.9K | Estados Unidos | 91 |
| 9 | Gary Rizzo crafted each F1 race in the movie with authentic cars and radio chatter | Avid Pro Tools @avid.protools | 1.8K | Estados Unidos | 91 |
| 12 | Dozens of cameras were used to capture a crucial car upgrade in F1 The Movie | | 1.8K | Estados Unidos | 89 |
| 19 | Using multi-camera setups and repeated laps to view F1 The Movie from 9 angles | | 1.8K | Estados Unidos | 89 |
| 3 | Re-recording mixer Juan Peralta blends every car-by, dialogue, and music in F1: The Movie | Avid Pro Tools @avid.protools | 1.5K | Estados Unidos | 93 |
| 16 | Every day on F1: The Movie was a new puzzle for Gary Rizzo | Avid Pro Tools @avid.protools | 1.3K | Estados Unidos | 89 |
| 1 | Re-recording mixer Juan Peralta breaks down F1: The Movie’s crowds, cars, and swooshes | Avid Pro Tools @avid.protools | 1.3K | Estados Unidos | 94 |
| 13 | F1 The Movie editor Stephen Mirrione explains how strong storyboards guided the race design | | 1.1K | Estados Unidos | 89 |
| 4 | Juan Peralta helped turn the car sequences into a cinematic, high-octane experience | Avid Pro Tools @avid.protools | 1.1K | Estados Unidos | 93 |
| 6 | Re‑recording mixer Juan Peralta layered crowd reactions, engine shifts, and racing details | Avid Pro Tools @avid.protools | 954 | Estados Unidos | 92 |
| 7 | F1: The Movie was a masterclass in collaboration, experimentation, and authentic sound | Avid Pro Tools @avid.protools | 931 | Estados Unidos | 91 |