| ★ |  Backwards and Forwards: Queering the Crip and Cripping the Queer | Schwules Museum @schwulesmuseum | 89 | — | |
| 12 |  Disabled, Queer, Desired – Breaking Intimacy Myths | Ep. 5 (2025) | Outcast Productions LLC YouTube Channel @outcastproductionsco | 697 | Estados Unidos | 84 |
| 8 |  Authenticity and Visibility: Disability and Queer Identity | Ep. 3 (2025) | Outcast Productions LLC YouTube Channel @outcastproductionsco | 648 | Estados Unidos | 84 |
| 11 |  Día Internacional del Orgullo LGBTTIQ+ Parte I | Facultad de Psicología Universidad de la República @psicoudelar | 204 | Uruguay | 84 |
| 5 |  Sonya Loftis, “‘Hamlet’ and ‘Macbeth’ in Crip Time” | Cogut Institute for the Humanities @cogutinstitute | 161 | Estados Unidos | 85 |
| 17 |  The Reciprocal Politics of Bed Space Activism: Creative Resistance and Radical World Making | UIC Institute for the Humanities @uichumanities | 142 | Estados Unidos | 84 |
| 16 |  Día Internacional del Orgullo LGBTTIQ+ Parte II | Facultad de Psicología Universidad de la República @psicoudelar | 115 | Uruguay | 84 |
| 1 |  Carrie Sandahl: Backwards and Forwards, Queering the Crip, Cripping the Queer | Schwules Museum @schwulesmuseum | 104 | — | 96 |
| 2 |  Nina Mühlemann & Steven Solbrig: Queer, Crip Activism and the Arts | Schwules Museum @schwulesmuseum | 95 | — | 87 |
| 20 |  InterseXiones: New Grammars of the X | Latin American Studies Association @latinamericanstudiesassociat. | 78 | Estados Unidos | 84 |
| 3 |  Queer, Crip Activism and the Arts: Nina Mühlemann und Steven Solbrig im Gespräch mit Kate Brehme” | Schwules Museum @schwulesmuseum | 63 | — | 86 |
| 9 |  Syrus Marcus Ware: Pink Splashes: Queering the streets through abolitionist interventions | Schwules Museum @schwulesmuseum | 37 | — | 84 |
| 6 |  Disability, Queerness, and Class (audio recording) | CLAGS: The Center for LGBTQ Studies @clagsthecenterforlgbtqstudies | 35 | — | 85 |
| 13 |  New Pathways in Premodern Disability Studies: Crip Time, Race, and Community • Roundtable | Cogut Institute for the Humanities @cogutinstitute | 27 | Estados Unidos | 84 |
| 15 |  Queering the Crip, Cripping the Queer (in DGS) | Schwules Museum @schwulesmuseum | 26 | — | 84 |
| 7 |  Art+ Education No. 15: Eco Soma Methods and Media Arts with Petra Kuppers | WEAD Artists @weadartists2782 | 23 | Estados Unidos | 85 |
| 4 |  Cronenberg and the Abnormal Body: Seeing Disability in Sci-Fi and Horror Films | FIMS mediations @fimsmediations4598 | 21 | — | 86 |
| 18 |  Jonathan Hsy, “Crip Futures: Teresa de Cartagena, Deaf Culture, and a Global Middle Ages” | Cogut Institute for the Humanities @cogutinstitute | 19 | Estados Unidos | 84 |
| 10 |  Why Is Gender Performativity Important To Queer Theory? | Gender Equality Network @gender-equality-network | 18 | Estados Unidos | 84 |
| 19 |  Deadass: Reclaiming the Black Queer Experience | Black Lives Matter Sudbury @blacklivesmattersudbury2400 | 15 | — | 84 |
| 14 |  What Concepts Challenge Heteronormative Structures? | Gender Equality Network @gender-equality-network | 14 | Estados Unidos | 84 |