| ★ | Alison Knowles’s Identical Lunch Symphony at the Logan Center for the Arts | The Scores Project | Getty Research Institute @gettyresearch | 58 | — | |
| 20 | Classical Music for Studying, Revision and Exam Prep | HALIDONMUSIC @halidonmusic | 54.0K | Italia | 80 |
| 14 | Building a Neo-Classical Score using Ólafur Arnalds the Collection | Spitfire Audio | Spitfire Audio @spitfireaudiollp | 3.7K | Reino Unido | 80 |
| 13 | LGM 2026 - FLOSS real-time visuals for media arts with ossia score | | 658 | Alemania | 80 |
| 9 | The One I Love Belongs To Someone Else - Martin Taylor & Alison Burns (Duo Performance) | Martin Taylor MBE @martintaylormbe | 448 | Reino Unido | 81 |
| 7 | Logan Skelton // Waltz-Mazurka in A Minor (Fragments of Chopin) // Chopin's Newly-Discovered Waltz | University of Michigan School of Music, Theatre & Dance @umichsmtd | 223 | — | 81 |
| 15 | Martin Taylor & Alison Burns - TEA FOR TWO | Duo Performance | Martin Taylor MBE @martintaylormbe | 184 | Reino Unido | 80 |
| 5 | Variations on a Theme: Benjamin Patterson's Scores | Getty Research Institute | Getty Research Institute @gettyresearch | 154 | — | 82 |
| 6 | Why Willie Mae Thornton Matters: A Multi-Media Book Panel | Tishman Environment and Design Center @tishmanenvironmentdesigncenter | 91 | — | 81 |
| 10 | David Tudor & John Cage, Graph K of the Solo for Piano, 1958 | The Scores Project | Getty Research Institute @gettyresearch | 85 | — | 81 |
| 11 | Amy Cheng, Assistant Professor of Chamber Music and Piano // Chopin’s Newly Discovered Waltz | University of Michigan School of Music, Theatre & Dance @umichsmtd | 82 | — | 81 |
| 2 | David Tudor & John Cage, Graph AY of the Solo for Piano, 1958 | The Scores Project | Getty Research Institute @gettyresearch | 75 | — | 83 |
| 18 | Barabajagal: A Comprehensive Study in Musical Timing and Context | Timothy Makin @timothymakin | 68 | Estados Unidos | 80 |
| 1 | Phoebe Berglund & Andros Zins-Browne perform Simone Forti & Jackson Mac Low’s Asymmetry 222 | Getty Research Institute @gettyresearch | 51 | — | 83 |
| 4 | Unboxing George Brecht’s Water Yam, 1960s | The Scores Project | Getty Research Institute @gettyresearch | 45 | — | 82 |
| 3 | David Tudor & John Cage, Graph T of the Solo for Piano, 1958 | The Scores Project | Getty Research Institute @gettyresearch | 40 | — | 82 |
| 19 | Kiwifruit Project: Pieces for Orchestra (No. 4–6, 1962 autumn) | InspirED by Mai Ryuno @inspiredbymairyuno | 18 | Estados Unidos | 80 |
| 8 | Telling Your Story Through Music with Hyperscore | Connected Learning Alliance @connectedlearningalliance | 16 | Estados Unidos | 81 |
| 12 | Defining and classifying the Broadway Musical in an Age of AI | FIMS mediations @fimsmediations4598 | 6 | — | 80 |
| 16 | Öyvind Fahlström, Kisses Sweeter than Wine, performed at 9 Evenings: Theatre & Engineering, 1966 | Getty Research Institute @gettyresearch | 0 | — | 80 |
| 17 | Robert Rauschenberg, Open Score, performed at 9 Evenings: Theatre & Engineering, 1966 | Getty Research Institute @gettyresearch | 0 | — | 80 |