| ★ |  Eccentrism turns 100: The Factory of the Eccentric Actor | Pushkin House @pushkinhouselondon | 21 | Reino Unido | |
| 4 |  Every Photographer Should Watch This Filmmaker in 2025! | Tatiana Hopper @tatianahopper | — | Irlanda | 84 |
| 5 |  The Most Important Movement in Cinema — Why We All Steal From It | StudioBinder @studiobinder | 79.2K | Estados Unidos | 84 |
| 7 |  How Can We Find Depth in Shorts | | 12.1K | Georgia | 83 |
| 15 |  1925: How Sergei Eisenstein Used Montage To Film The Unfilmable | One Hundred Years of Cinema @onehundredyearsofcinema | 9.8K | Japón | 83 |
| 6 |  Stanislavski y la actuación realista | Diego de Miguel @diegodemiguelteatro | 8.3K | — | 84 |
| 2 |  Thomas Vinterberg: Dogma and Beyond | Berlinale Talents 2016 | Berlinale - Berlin International Film Festival @berlinale | 1.1K | Alemania | 85 |
| 11 |  INSIDE THE UFFIZI (Official Trailer) | | 742 | Alemania | 83 |
| 16 |  Art and the Cold War | Documentary | Full Movie | Creativity Under Oppression | Stash - Free Documentaries @stash_freedocumentaries | 301 | Estados Unidos | 83 |
| 3 |  La multiplication des images ou ce que le cinéma fait à la littérature par Christophe Meurée | | 129 | Bélgica | 84 |
| 18 |  Exploring the intricate dynamics of post-production, renowned cinematographer Ed Lachman shares a | Film Editors @occupyeditors | 113 | — | 83 |
| 20 |  Our March 2022 Criterion Collection Haul (A Look Inside the Cases!) | Cinema Labyrinthine @cinemalabyrinthine | 98 | — | 83 |
| 12 |  Con Fusion: Sasha Waltz on creating connecting choreographies l Berlinale Talents 2026 | Berlinale - Berlin International Film Festival @berlinale | 87 | Alemania | 83 |
| 8 |  ¿Quién fue Stanislavski?: "El genio que cambió la actuación para siempre" | Teatro ESCENA15 @teatroescena15 | 65 | Colombia | 83 |
| 17 |  JUEGOS DE SUBVERSIÓN.EL DESCONTROL NECESARIO PARA MIRADAS VIVAS | Seminario Públicos y Audiencias del Futuro @seminariopublicosyaudienciasde | 60 | México | 83 |
| 14 |  Cómo Funcionan los Efectos Especiales de IA en el Cine | Explorando la IA @shilito1977 | 45 | Chile | 83 |
| 13 |  A Covenant of Witches and Monstrous Dark Mothers in FILM ~ Dr Francesco Sticchi | Creative Industries Network ~ Oxford Brookes Uni @creativeindsobu | 18 | Reino Unido | 83 |
| 19 |  From Moving Images to Immersive Cinema: Laia Cabrera, Isabelle Duverger, May Abdalla and Amy Rose | Laia Cabrera & Co. @laiacabreraco | 12 | Estados Unidos | 83 |
| 1 |  Soviet Cinema as a Political Tool: The Significance of Eisenstein's 'October' | Violette News @violettenews | 3 | Francia | 85 |
| 10 |  Fokua Foco:Straub &Huillet.Antzezleekin lana Trabajo con los actores | Cultura Online @culturaonline1956 | 1 | — | 83 |
| 9 |  Yvonne Rainer, Carriage Discreteness, performed at 9 Evenings: Theatre & Engineering, 1966 | Getty Research Institute @gettyresearch | 0 | — | 83 |