| ★ |  The Fastest Way to Get Out of Your Head | Paint 5 Abstracts in 15 Minutes | Chris Loud Art @chrisloudart | 48.5K | Estados Unidos | |
| 8 |  Gotye - Untitled - official audio | | — | — | 92 |
| 16 |  Gotye - Giving Me A Chance (Official Music Video) | | — | — | 91 |
| 10 |  Gotye - Untitled - audio | | 129.7K | — | 92 |
| 14 |  Swim Surreal - Exile | | 5.1K | Reino Unido | 91 |
| 1 |  Noir Jazz for Late Nights | Cinematic Jazz For Work, Focus, and Calm | Dark Jazz Playlist | Club Magie Noir @clubmagienoir | 1.6K | Austria | 94 |
| 4 |  Monday Jazz | Club Jazz House Blend No. 19 | The Creative Hour | Club Magie Noir @clubmagienoir | 1.3K | Austria | 93 |
| 13 |  Noir Jazz Twilight | Smooth Jazz BGM for Nordic Alone Time, Deep Focus and Relaxation | Club Magie Noir @clubmagienoir | 1.2K | Austria | 91 |
| 6 |  Démo aquarelle : La rivière - mouillé sur mouillé en temps réel (wet on wet watercolor tutorial) | Jacques Williet @jacqueswilliet | 831 | — | 93 |
| 20 |  The Secret to Sigilism Art | | 483 | Países Bajos | 91 |
| 18 |  Antiwa - Toco Madera (Álbum completo) | | 239 | — | 91 |
| 5 |  Herbert Weidner Meere und Wolken | Herbert Weidner @herbertweidner | 42 | Alemania | 93 |
| 2 |  Contemporary Art Insights | Virtual Museum Day @virtualmuseumday | 18 | — | 93 |
| 11 |  Magical Realism paintings, Clinton Crawford | Clinton Crawford @clintoncrawford6687 | 11 | — | 92 |
| 12 |  Picasso's late prints (1964–1969): Suite 347 etchings and striking lithographs exploring myth, bulls | Fine Art Connection @fineartassets | 11 | Estados Unidos | 92 |
| 17 |  Trailer libano (Lebanon - 2009) | Luciano Otaño @carteleraenrosario | 8 | — | 91 |
| 9 |  EXPOSICIÓ | DUALITATS ABSTRACTES | Espacio Ronda Barcelona @rondabarcelona | 4 | España | 92 |
| 3 |  Sounds of nature - Under the see | Oyakudachi - Lydia Gimenez Llort @oyakudachilydiagimenezllort | 2 | España | 93 |
| 15 |  Baeume.mpg | Reinhard Pott @oldiewillem | 2 | — | 91 |
| 7 |  forest | | 1 | — | 92 |
| 19 |  INCLUSIONE NELLA MENTE | Luigi Colombi Conte @contepittore | 0 | — | 91 |