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| 1 | Workflow & Productivity | New Features in Nuendo 13 | | 12.3K | Alemania | 94 |
| 3 | Exclusive Features for Audio Editing | Nuendo Features Other DAWs Wish They had | | 10.5K | Alemania | 92 |
| 10 | Creative Drum Production Using Loops in Groove Agent SE | Cubase Q&A with Greg Ondo | | 10.5K | Alemania | 87 |
| 12 | I'm obsessed with MASTERING | Busy Works Beats @busyworksbeats | 8.8K | Estados Unidos | 87 |
| 2 | Mixing & Sound Design | New Features in Nuendo13 | | 8.4K | Alemania | 92 |
| 4 | Dialogue Recording & Editing | New Features in Nuendo 13 | | 6.6K | Alemania | 91 |
| 11 | Mejor Librería de Coros - Performance Samples Oceania - Revisión en Español | Lucas Ricciotti - Compositor @lucasricciotticompositor | 4.4K | Chile | 87 |
| 17 | Exclusive Features for Dubbing and ADR | Nuendo Features Other DAWs Wish They had | | 4.0K | Alemania | 86 |
| 5 | Preparing the Nuendo Project | Audio Authoring for MPEG H | | 730 | Alemania | 89 |
| 6 | Authoring an MPEG H Audio Scene | Audio Authoring for MPEG H | | 596 | Alemania | 89 |
| 16 | 1 Hour Drop Challenge Playthrough Melodic bass/Future bass ALS | | 455 | Estados Unidos | 86 |
| 18 | Exporting an MPEG H Audio File | Audio Authoring for MPEG H | | 392 | Alemania | 86 |
| 8 | creando beats plugg x plyggnb | | 351 | México | 88 |
| 20 | Curso Producción Makina | Enjoy It Studios @73muzikacademy | 338 | España | 86 |
| 9 | cocinando beats en vivo (trap/plugg) | | 248 | México | 88 |
| 14 | CUMBIA FUNK (UNRELEASED) | ESPECIAL 800 SUBS | FL STUDIO WALKTROUGH | #funkbrasil #funk #cumbia | | 101 | México | 87 |
| 7 | DIRECTO - El Futuro Es Hoy? ACE Studio, Nueva Plantilla | Lucas Ricciotti - Compositor @lucasricciotticompositor | 92 | Chile | 88 |
| 19 | COMPONIENDO MÚSICA MOTIVADORA - LOGIC PRO X | Lucas Ricciotti - Compositor @lucasricciotticompositor | 75 | Chile | 86 |
| 13 | Haciendo Música En Vivo | Confección Musical @confeccionmusical | 52 | Estados Unidos | 87 |
| 15 | APRENDIENDO A USAR FL | chill de c*j*nes | LikitiyaVods | | LikitiyaVods @likitiyavods | 52 | — | 87 |